The Chelsea Hotel II height-0 I like the tight compositional

I like the tight compositional balance of it all

There is a sense of place

Scorsese used my old Texas buddy - Ty Mitchell - as a most convincing bad guy in Killers of the Flower Moon and I knew I wanted him on this set – despite the fact his day rate has moved north now that he is known to work with Marty

The creative prompts were movies like Easy Rider - the classic 1969 Dennis Hopper film starring Peter Fonda

as are the owners of the beach club with whom Minghella collaborated

The Chelsea Hotel II height-0 I like the tight compositionalInquire about available sizes and pricing. Limited Edition Prints. The Cinema Series grew out of the world introduced in Chapter 51 and expands its cinematic spirit into a full visual universe. Shot on Kodak film with Panavision lenses, the same tools used in major Hollywood productions, the series carries the weight and atmosphere of a feature film while existing as singular images. Each photograph feels like a frame paused at the perfect moment,